Blount’s educational journey led her through Morgan State University, where she pursued a psychology major and lent her voice to the university choir. She’s also the proud parent of a son named Antonio.
Professional Path
Blount’s emergence into the spotlight transpired in the cinematic realm, specifically in the 1993 film “Sister Act 2: Back in the Habit,” where she embodied the character “Tanya.” An unforgettable moment arrived when she, accompanied by Lauryn Hill, delivered a remarkable rendition of “His Eye is on the Sparrow.” Madame Noire noted that their performance held audiences captive, describing it as a lasting memory. Additionally, Blount’s contribution found its place on the original soundtrack album of the featured film.
Debuting with her album “Natural Thing” in 1994, she achieved a peak position of 58 on the US R&B/Hip-Hop Albums chart. The album’s lead single, “I’m Gonna Make You Mine,” achieved a spot at number 57 on the US R&B/Hip-Hop Songs chart. This success was followed by “Through the Rain,” reaching number 27 on US R&B/Hip-Hop Songs and marking her inaugural appearance on the US Hot 100, where it secured the 90th spot.
Her third single, “Hold On,” managed to claim position 66 on the US R&B/Hip-Hop Songs chart. Adding to her discography, she released a holiday single titled “Remember Love” in 1994. For her achievements, Blount was nominated for Best New Artist at the Soul Train Awards in 1995.
The year 1996 brought a pivotal career move as Blount joined Sean Combs’ Bad Boy Entertainment. Under this label, she embarked on the creation of her second album, participating not only in her own work but also in writing for other artists associated with Bad Boy. While Combs was initially involved in the project, the album’s momentum began to wane.
Over time, only two tracks, namely “I Love Him” and “The Last Time We Made Love,” saw the light of day. According to an EBONY feature, Blount found herself featured on the label’s inaugural gospel LP, sharing space with esteemed artists like B.I.G., Faith Evans, Brandy, and others. Reflecting on the album, Blount shared her insights, stating, “I believe Puffy is seeking a novel direction; he senses an obligation to bridge the gap between the streetwise and the faithful. Many individuals from the urban landscape have deep roots in the church.
Perhaps it’s an opportune time to convey the message that one can reveal and maintain their devotion to Jesus.” Originally slated for release in 1997, the album remained indefinitely postponed. By February 2000, the Washington Post disclosed Blount’s pursuit of a contract release from Bad Boy Entertainment, coupled with ongoing settlement negotiations.